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This is quite the dark noir film. But it gives me many of the things I do so love in noir. Detective ignoring police advice and doing his own thing, femme fatale, cool cars, more stairways than a stadium, shadows and more shadows and creepy camera angles, opera, a few fights, a few guns, a few kisses, a few deaths, more than a few drinks, a protagonist who dishevels nicely and actually spends time in a hospital when injured. And best of all? I had no idea what everyone was after the whole film! How cool is that? I had my own (wrong) ideas that revolved ultimately around similar themes, but the reality was much much cooler. I'd say more but it'd be spoilerific and might ruin the fun.
It's interesting because I was just having a debate about mysteries the other day, and about how I'd started running into books that kept things a mystery and it pissed me off. This movie was the opposite. It did the mystery right, and kept me wanting to find out what was going on, and not turn it off in frustration (as happened with the book). This rather fascinates me, the what works, what doesn't, and gave me a better idea what to avoid in my own writing.
And the ending sound effects? Freaked! Me! Out! Thank goodness I never saw this when I was young. I don't think I'd have slept for weeks. I still might not.
I'm really curious to read the book now, see if it explains a little more.
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