So I was catching up on Storytellers Unplugged, and the following section from an essay by Brian Knight caught my eye:
(rant alert – most of the so-called envelope-pushers who self publish their work via Publish America and Lulu like to call their abuse of the rules of grammar Experimental, but leaving the “Speech Tags” out of the dialog in your novel isn’t innovative, it’s just dumb).
Which quite cracked me up because I know at least one writer who that would apply to. The annoyingly conspicuous absence of dialogue tags, that is.
Rather interested to see what project I get into as soon as the move is out of the way and I'm settled. Revisions on DTD? Or starting the new POW novel? Or should I save the latter for Nano, even though I promised myself I wasn't going to do nano this year. And I'm curious to see how revisions go on DTD, because when I started it, I had specific actors in mind to play the leads (not that "casting" lasts beyond the conceptual period -- the characters rapidly come into their own shortly into the writing process). But now, one of those could/should be played by someone else, and I'm quite curious to know if that will subconsciously color the re-write a bit, and if so, how.
