fanfic!

The first half of my Combat! fanfic "Murder's Melody" is up at Fruit Salad! It's so much fun writing these stories. This one I had to get out of my head so I could focus on DTD without mental straying. Unfortunately, it was no sooner edited and out, then I started work on another fanfic story, that I shouldn't be be working on, but it Won't. Go. Away. Made me realize something about what inspires me to write one thing and not another. Why one will latch on and not let go, and others just sit around. It's simple, really. It's emotion. Character emotion. It's got to dovetail/propel/illuminate the plot, and when the combo is just right, I whip through the story fast. DTD was like this, and one of the reasons I was able to write the novel so quickly. This new fanfic story I'm writing is the same. I need to write stories that make me ache (good and bad) and feel strongly with the characters while I write. Now, all my stories have that, it's more a matter of degree. Some have more strong emotion than others.

Which is why it rather fascinated me that Wyrdsmiths posted a link to this, that quite fits with my way of writing/revising, I was just never so logical about stating it this way. It goes with escalations.

Other than that... note to self on additional things that leave me incapable of thought: besides shirtless Aldo, he's not allowed to wear black shirts and a day's worth of scruff either. And that's in B&W. Devastating. Absolutely positively forbidden. I'm still ruined a day later.

And another well-timed discussion

This post sums up some of where I'm at while working on POW right now. I had a little bit of that last year doing Variance, the telling of which still feels beyond my current skill set.

off and running

So, I started editing one of my novels today. It's nearly 145,000 words long, and 45,000 of those words need to go. Yanking the unnecessary stuff is actually way easier on this particular work than I thought it'd be, mostly because this draft has been completed for over five years, and I'm a very different writer nowadays than I was then. The story's still sound, but can you say bloated prose? I didn't touch it in all that time either, which makes it about as fresh as this one can get.

This is a novel that I've struggled with the beginning, because I originally felt I couldn't jump into the action without setting a few things up first. The beta readers all said once they hit chapter two, they couldn't put it down from there, but chapter one, that all important chapter one, bored them. So, there's the "swap chapter one and chapter two" theory, which I toyed with and don't like (or haven't figured out how to make work). There's the "throw out chapter one entirely and just let her rip" approach. Or there's something between those two. But on that subject, I read number 5 of this post today, which made me rethink what I need to do to the beginning. Again.

And I really liked this consise post from Elizabeth Bear today on narrative tension. I was talking recently with a non-writer friend on why they can't put down some books, and wish I'd read her post first. Then I would have had words (dilemma, escalation, resolution) and an easy example to explain it properly. My take was much more long-winded.

Interesting writerly stuff

P.O.V. - read all about it...

How other writers write novels - link salad

Sometimes it's useful to read how other writers work, sometimes it's not. Mostly it gives confidence to people who haven't finished a book yet -- look, ma, someone else has the same problems, the same stress, the same insecurities, I guess I can do this. But for anyone interested, Elizabeth Bear has kindly gathered links to several different responses to the "how do YOU write a novel" question running around right now...

http://matociquala.livejournal.com/891599.html
http://matociquala.livejournal.com/889579.html

Just write the damned book

Elizabeth Bear had this entry today on her livejournal that cracked me up: Things to think about when facing incomplete novels. And after checking out the "Rocket Science" review link, I totally want to read that book now...

How writers really edit

Oh man, too funny, the timing on this. Found this via Elizabeth Bear's journal and it sums up exactly what I'm doing in editing right now on DTD.

Making those words count

I love discussions like this, and I love reading Elizabeth's Bear's journal precisely because she jumps right in. I tend to save these kind of entries out to a Word file to read back later. This one got filed under the "editing" notes folder.